Inter-American Destiny in Guillermo Verdecchia’s Fronteras Americanas

Main Article Content

Réka M. Cristian

Resumo

The article scrutinizes the issue of inter-American destiny in the dramatic world of the Argentinian-born Guillermo Verdecchia (b. 1962), whose work was awarded with the prestigious Governor General’s Literary Award (est. 1937) in Canada. Verdecchia deals with a subjective cultural history that shapes various destinies through an inter-American space and given time periods. The thespian plot in his Fronteras Americanas (1993) is an idiosyncratic story that does not count communal dates or anniversaries but, instead, focuses on the lived experience and the destiny of the individual. Verdecchia’s play has a peculiar political relevance in being conceived as a subjective inter-American history lesson on the issue of Latin diaspora in North America and, as such, presents an idiosyncratic history of a Canadian Latinx, created as a monologue reminding one of an oral storytelling of a destiny that is bound in the history web of the Americas.

Downloads

Não há dados estatísticos.

Article Details

Como Citar
Cristian, R. M. (2023). Inter-American Destiny in Guillermo Verdecchia’s Fronteras Americanas. Acta Hispanica, 28, 119–130. https://doi.org/10.14232/actahisp.2023.28.119-130
Secção
Estudios culturales
Biografia Autor

Réka M. Cristian, University of Szeged

Réka M. Cristian (PhD, Dr habil) is Associate Professor, Chair of the American Studies Department, University of Szeged and Co-Chair of the Inter-American Research Center at the same university. Her fields of research and publication include modern American drama and American literature, film studies, American and Inter-American studies. She authored Cultural Vistas and Sites of Identity: Literature, Film and American Studies, co-authored with Zoltán Dragon Encounters of the Filmic Kind: Guidebook to Film Theories and is general and founding editor of AMERICANA E-Journal of American Studies in Hungary and its e-book division, AMERICANA eBooks.

Received 2023-02-02
Accepted 2023-08-31
Published 2023-12-19

Referências

Adams, Rachel. 2009. “The Northern Borderland and Latino/a Canadian Diaspora.” In Continental Divides: Remapping the Cultures of the North America, 219-240. Chicago: Chicago University Press.

Anzaldúa, Gloria. 1987. Borderlands/La Frontera. The New Mestiza. San Francisco: Aunt Lute Books.

Appadurai, Arjun. 1996. Modernity at Large. Dimensions of Globalization. Minneapolis: University of Minnesota Press.

Atwood, Margaret. 2012. Survival. A Thematic Guide to Canadian Literature. Toronto: House of Anansi Press.

Bollobás, Enikő. 2010. They Aren’t, Until I Call Them. Performing the Subject in American Literature. Frankfurt am Main: Peter Lang.

Breytenbach, Breyten. 1999. “Notes from the Middle World.” In The Translatability of Cultures. Proceedings of th Fifth Stuttgart Seminar in Cultural Studies, 03.08-14.08.1998, edited by Heide Ziegler, 47-64. Stuttgart: Verlag J.B. Metzler.

Davis, Mark. 2019. “Comedic yet Surprizingly Educational in John Leguizamo’s Latin History for Morons.” FSU News.com. https://eu.fsunews.com/story/entertainment/2019/12/01/comedic-yet-surprisingly-educational-john-leguizamos-latin-history-morons/4342582002/.

Gómez, Mayte. 1995. “Healing the Border Wound: Fronteras Americanas and the Future of Canadian Multiculturalism.” Theatre Research in Canada, 16 (1): 26-39. https://doi.org/10.3138/tric.16.1.26.

Hamill, Faye. 2007. Canadian Literature. Edinburgh: Edinburgh University Press.

Knowles, Ric. 2005. “Drama.” In The Cambridge Companion to Canadian Literature, edited by Eva-Marie Kröller, 115-134. Cambridge: Cambridge University Press.

Kuester, Martin. 2006. “Guillermo Verdecchia. Fronteras Americanas (1993).” In Teaching Contemporary Literature and Culture. Drama: Part II, edited by Susanne Peters, Klaus Stierstorfer, Laurenz Volkmann, Vol. 1, 509-525. Trier: Wissenschaftlicher Verlag Trier.

Kürtösi, Katalin. 2002. “Diversity in Recent Drama and Theatre in Canada.” In Writing Canadians. The Literary Construction of Ethnic Identities, edited by Martin Kuester and Wolfram R. Keller, 51-63. Marburg: Schriften der Universitaetsbibliotek Marburg.

Leguizamo, John. 2018. Latin History for Morons. dir. Aram Rappaport. Written by John Leguizamo. Netflix. https://www.netflix.com/hu-en/title/80225421.

Morales Levins, Aurora. 1986. “Child of the Americas.” En Boricuas. Influential Puerto Rican Writings – An Anthology editado por Roberto Santiago, 79. New York (1995): The Random House Publishing Group.

Morrow, Martin. 2017. “English-Canadian Theatre: Embracing a Country’s Diversity.” Critical Stages/Scènes critiques, 16. https://www.critical-stages.org/16/english-canadian-theatre/.

Nothof, A. F. 1999. “The Construction and Deconstruction of Border Zones in Fronteras Americanas by Guillermo Verdecchia and Amigo’s Blue Guitar by Joan MacLeod.” Theatre Research in Canada, 20 (1). https://journals.lib.unb.ca/index.php/TRIC/article/view/7094.

Nothof, Anne. 2011. “Guillermo Verdecchia”. In The Canadian Encyclopedia. https://www.thecanadianencyclopedia.ca/en/article/guillermo-verdecchia.

Rengifo Escalante, Guadalupe Escalante. 2020. “El espacio dialógico como estrategia para decolonizar a los latina/os en Fronteras Americanas (1993) de Guillermo Verdecchia.” Canadian Journal of Latin American and Caribbean Studies, 45 (3): 338-355.

Vega Balbás, Rubén. 2020. „The Performative Nature of Dramatic Imagination.” Revista Brasilera de Estudos da Presença, 10 (1). https://doi.org/10.1590/2237-266092193.

Verdecchia, Guillermo. 1993. Fronteras Americanas (American Borders). Introduction by Urjo Kareda. Toronto: Couch House.

Verdecchia, Guillermo. 2020. “Guillermo Verdecchia shares some stories and images from Fronteras Americanas” YouTube. Uploaded on 2020. December 27. https://www.youtube.com/watch?v=dd-OeQ9jmWg.

Zorc-Maver, Darja & Igor Maver. 2011. “Guillermo Verdecchia and the Frontera in Contemporary Canadian Diasporic Writing.” Acta Literaria, 43: 119-126.